by Clare Hemmings (2018)
In Considering Emma Goldman Clare Hemmings examines the significance of the anarchist activist and thinker for contemporary feminist politics. Rather than attempting to resolve the tensions and problems that Goldman's thinking about race, gender, and sexuality pose for feminist thought, Hemmings embraces them, finding them to be helpful in formulating a new queer feminist praxis. Mining three overlapping archives—Goldman's own writings, her historical and theoretical legacy, and an imaginative archive that responds creatively to gaps in those archives —Hemmings shows how serious engagement with Goldman's political ambivalences opens up larger questions surrounding feminist historiography, affect, fantasy, and knowledge production. Moreover, she explores her personal affinity for Goldman to illuminate the role that affective investment plays in shaping feminist storytelling. By considering Goldman in all her contradictions and complexity, Hemmings presents a queer feminist response to the ambivalences that also saturate contemporary queer feminist race theories.
by Clare Hemmings (2011)
A powerful critique of the stories that feminists tell about the past four decades of Western feminist theory. Clare Hemmings examines the narratives that make up feminist accounts of recent feminist history, highlights the ethical and political dilemmas raised by these narratives, and offers innovative strategies for transforming them. Winner of the Feminist and Women's Studies Association (FWSA) Book Prize 2012.
Read a review of the book by Karen J Leader: Why Stories Matter.
by Clare Hemmings (2002)
Armed with theoretical agility, experiences personal and political, feminist and queer commitments, and an unflinching skepticism, Clare Hemmings wanders through the multiple spaces of bisexuality-geographical, theoretical, political, and cultural. Her report from these fronts is keen and challenging, a welcome addition to the development of critical bisexual theory, and to gender and sexuality studies more generally.
Books, Edited Collections and Special Issues:
- Co-editor with Itana Eloit, 'Haunting Feminism: Encounters with Lesbian Ghosts', Feminist Theory 20. 4, December 2019
- Considering Emma Goldman: Feminist Political Ambivalence and the Historical Imagination (Durham, NC: Duke University Press, 2018)
- , Feminist Review, Issue 106 (eds) Rutvica Andrijasevic, Carrie Hamilton and Clare Hemmings (2014)
- Co-editor with Mary Evans, Marsha Henry, Hazel Johnstone, Sumi Madhok, Ania Plomien and Sadie Wearing, Handbook of Feminist Theory (London: Sage, 2014)
- Co-editor with Rutvica Andrijasevic and Carrie Hamilton, ‘Revolutions’, Feminist Review, Issue 106, 2014.
- Why Stories Matter: the Political Grammar of Feminist Theory (Duke University Press, 2011)
- Editor, 'Transforming Academies', Feminist Review, Issue 95, 2010
- With Veronica Vasterling, Enikő Demény, Ulla Holm, Päivi Korvajärvi and Theodossia-Soula Pavlidou, Practising Interdisciplinarity in Gender Studies (York: Raw Nerve Press, 2006)
- Co-editor, Travelling Concepts in Feminist Pedagogy: European Perspectives (York: Raw Nerve Press, 2006). [series of 4 texts and website]
- Co-editor, 'Sexual Moralities', Feminist Review, Issue 83, 2006.
- Co-editor, 'Everyday Struggling', Feminist Review, Issue 82, 2006.
- Bisexual Spaces: a Geography of Gender and Sexuality (New York: Routledge, 2002).
- Guest editor, 'Stretching Queer Boundaries', Sexualities, Vol. 2, No. 4, November 1999.
- Co-editor, Bi Academic Intervention, ed., The Bisexual Imaginary: Desire, Representation, Identity (London: Cassell, 1997)
Recent Journal Articles:
- “We thought she was a witch”: Gender, class and whiteness in the familial “memory archive.” Memory Studies, 16(2), 2022:
- “But I thought we’d already won that argument!”: “Anti-gender” Mobilizations, Affect, and Temporality. Feminist Studies, 48(3), 2022: 594–615.
- ‘Unnatural Feelings: the Affective Life of “Anti-Gender” Mobilisations’, Radical Philosophy, 2.09 (Winter 2021): 27-40.
- ‘When M. Mitterrand was a Faggot: Reading Ignorance and Pleasure in Eve Sedgwick’s “Axiom